BRANDING AND MEDIA FOR THE ADVENTUROUS
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VIDEOGRAPHY

ADVENTURE FILMS FOR REAL PEOPLE, ORGANIZATIONS, AND IDEAS

A short teaser to build stoke for the Antelope Butte mountain Recreation Area ski season. All animations were hand-drawn using Procreate or After Effects

Sometimes the best dreams of all, are the ones we’ve never had.

The USDA National Forest Service Artist In Residence program is a collaboration between nature and art. During my time working with the Bighorn National Forest I created multiple promotional videos, this was the one that struck a chord with me the most, being a novice film photographer myself. Enjoy as Nathan uses his craft and shares his knowledge as he shoots a scene on large format film.

The Illinois Climbers Association (ICA) hosts a bouldering competition in Southern Illinois every year to raise funds for their loan on the property from the Access Fund. In 2019 they were able to pay off the remaining balance of the loan. Having been to the competition in the past, I reached out about covering the videography and photography for the event. The photos were featured on the Access Fund’s news release about the event and the video is displayed on the ICA’s website.

Storytelling at it’s most raw; capturing the love and union between two people.

Sometimes we run from ourselves, afraid to face reality because we’re scared of what it might show us. This short film is my take on that concept and it’s futility.

Taking a bad situation and using creativity to make it positive

This film was entered into a YouTube contest by an adventure film-maker, Levi Allen and won first place. The brief was to make a two minute film about what the saying, “Life’s Better When You Make Stuff” means to you.

A promotional video for a recreation facility rockwall

A passion was born in the glacial rivers and volcanic fields of Iceland. The trip was at the forefront of my interest in film-making, and was a catalyst for my future endeavors. The trip was on a whim; an unexpected opportunity. It gave me the realization that I was undervaluing the story-telling potential of videography.

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